I am elated to bring this episode of Cue To Cue with Founder/ Artistic and Managing Director of The Musical Stage Company, Mitchell Marcus! Mitchell has become an influencer in the Toronto MusicTheatre scene and has been quite successful in a medium where many theatre companies don’t make it past their first season and I have been dying to have a conversation to hear his thoughts on creativity, entrepreneurship and the place of musical theatre in today’s ever-shifting arts landscape.

WISDOM: When I asked Mitchell what advice he would give someone who is thinking of starting a theatre company he said, “don’t”, with a laugh and continued to say, if you feel you must go through with it then find the Gap. How are you going to differentiate yourself from every theatre company out there? Do you need to do a show or become a theatre company because that is a totally different undertaking.

In this Episode:

  • What is missing from the Canadian musical theatre scene
  • How to embrace the art of fundraising and get people to support your idea
  • What he believes holds artists back from creating and how you can overcome it
  • How to discern the right path for yourself

Mitchell Marcus on Building A Theatre Company , Honouring Your Mandate, And Distinguishing Your Artistic Path

by Chelsea Johnson | Cue to Cue

A Little about Mitchell:

Mitchell is the founder and Artistic & Managing Director of The Musical Stage Company – Canada’s leading and largest not-for-profit musical theatre company. Over fourteen years, The Musical Stage Company (previously Acting Up Stage Company) productions have been recognized with 61 Dora Award nominations, 11 Dora Awards and 12 Toronto Theatre Critics’ Awards and programming partnerships have been built with Mirvish, Canadian Stage, AGO, TIFF, Massey Hall, Obsidian Theatre Company, and the Regent Park School of Music amongst others. 

Outside of The Musical Stage Company, Mitchell was the Associate Producer for the inaugural six years of Luminato, producing over 100 productions for one-million attendees annually. Mitchell has twice been the Creative Producer for the Hilary Weston Writers’ Trust Prize as well as the producer of the Dora Awards. He organized four years of It’s Always Something, working with a team that raised over $500,000 annually for Gilda’s Club Greater Toronto.

Mitchell is active on committees that serve the arts community. He is an advisor to the Metcalf Foundation for its Creative Strategies Incubator program, a member of Sheridan College’s Performing Arts Committee, a member of the Dora Eligibility Committee, and a member of the Advisory Committee of the Canadian Musical Theatre Writers Collective.

Mitchell has held positions in the arts management departments at University of Toronto and Ryerson University. He is the recipient of a Harold Award and the 2017 The Leonard McHardy and John Harvey Award for Outstanding Leadership in Administration.

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